Experience

• Environment Artist at Cyan, Inc.

  Spokane, United States of America

  March 2015 - March 2018

  -Worked on shipped title 'Obduction', which released for PC, Mac, Oculus Rift, Vive, and PS4
  
  -Blocked out gameplay areas within the engine to test pathing and gameplay flow
  
  -Helped develop the visual aesthetic of the heavy machinery in the Kaptar (chain cliffs) world
  
  -Developed the 3D workflow for the creation of the buildings in the Maray (swamp) world.
  
  -Modeled and textured environmental assets and implemented them into Unreal Engine 4
  
  -Rigged and animated hard surface mechanisms and implemented them into Unreal Blueprints
  
  -Used a proprietary level streaming system to place streaming zone regions for the three main
  
  game worlds, as well as set the level data within each zone
  
  -Set dressed and lit various gameplay environments
  
  -Worked with Unreal Engine 4’s Blueprints system
  
  -Was responsible for the blockout, modeling, set dressing, and lighting for the Submarine cave
  
  area PS4 exclusive content
  
  -Worked together with the rest of the art team to create proof of concept demos post Obduction launch